Gear: Two new guitars from Alvarez-a flamenco model and a classical one. Brouwer is a conductor, arranger, guitarist, and arguably the foremost modern Cuban composer. Reviews: Recent albums by Jorge Caballero, Celil Refik Kaya, Frederic Hand, Eliot Fisk, and others sheet music by Barrios, Schubert (arranged by Presti & Lagoya) Tárrega, Nick Fletcher, and many more. Lessons: Guitar techniques used in Leo Brouwer’s Danza Caracteristica. Special Focus: The Competition Life -thoughts on competitions from Dale Kavenagh, Celil Refik Kaya, Sabrina Vlaskalic, and Stefan Schmidt and competition jurors talk about that difficult task.įeatures: A profile of veteran England-based guitarist/arranger/conductor Gerald Garcia about his long and fruitful career a salute to Julian Bream, who just turned 85 an interview with the bold Bulgarian guitarist/composer Atanas Ourkouzounov “Letter from Tokyo,” featuring Japanese guitar greats Kiyoshi Shomura and Shin-Ichi Fukuda Virginia Luque on her new guitar line and her Bach Goldberg Variations project. He travels often to attend guitar festivals throughout the world, and especially to other Latin American countries.On the Cover: Ukrainian guitarist Marko Topchii has won prizes at more than 100 guitar competitions worldwide. Leo Brouwer is involved in the "Concurso y Festival Internacional de Guitarra de la Habana" (International Guitar Festival of the Havana). The solo guitar works El Decamerón Negro (1981) the Sonata (1990 for Julian Bream) and Paisaje cubano con campanas (1986) exemplify this tendency.Īmong his works are a large number of solo guitar pieces, several guitar concertos and over forty film scores. More recently, Brouwer's works have started leaning towards tonality and modality. Other works from this period include the guitar pieces Canticum (1968), La espiral eterna (1971), Parábola (1973) and Tarantos (1974). De esta estrecha relación entre instrumentista y creador se desprende una cualidad que junto a lo cubano, parecen caracterizar su obra para guitarra y ser el germen de los Estudios Sencillos. Afterwards, Brouwer went to the United States to study music at the Hartt College of Music of the University of Hartford, and later at the Juilliard School, where he studied under Vincent Persichetti and took composition classes with Stefan Wolpe.īrouwer's early works show the influence of Cuban folk music, but during the 1960s and 70s, he became interested in the music of modernist composers such as Luigi Nono and Iannis Xenakis, using indeterminacy in works such as Sonograma I. En la Danza Característica de Leo Brouwer, se observa el trabajo de un guitarrista y compositor, profundamente cubano. Young Brouwer received his first formal guitar instruction from the noted Cuban guitarist and pedagogue Isaac Nicola, in turn a disciple of Emilio Pujol. He initiated his son encouraging him to play these composers' works, mostly by ear. Īs a child, Brouwer received his initial stimulus from his father, a physician, who was an aficionado of Villa-Lobos, Tárrega and Granados. Juan Leovigildo Brouwer Mezquida (born March 1, 1939) in Havana, is a Cuban composer, conductor and guitarist.
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